Hi there! I’m a Korean-American storyboard artist and visual storyteller. I create boards and animatics for action, dialogue, pitches, and proof-of-concept work, with a focus on cinematic staging, character performance, and clear visual storytelling.

 

My background in animation, independent filmmaking, and camera/layout work helps me connect story, design, and shot execution across a wide range of projects, from films and original pitches to museum media, corporate video, branded content, and product campaigns. I’m available for freelance storyboard, animatic, and sequence-visualization work.

 

I have storyboard credits on Iyanu for HBO Max and Gabriel & The Guardians for Angel Studios, where I worked as both a storyboard artist and revisionist. My previous work also includes boards for an upcoming Netflix animated series (title under NDA), Sausage Party: Foodtopia for Amazon Studios, and AnimSchool’s MechWest. In addition, my storyboard work has received praise from creative leads connected to major properties such as Arcane and Bioshock, including professionals at Sony, Netflix, Blizzard, and Warner Bros.

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Before transitioning to storyboarding, I was a 3D final layout artist at Disney’s Blue Sky Studios, contributing to Rio 2, Ice Age 5, Epic, and The Peanuts Movie. I also interned in the undergraduate animation program at Pixar and earned my BFA from NYU Tisch in 2010.

 

My latest independently animated short film, One Last Monster, has been selected by over 100 international film festivals, earning numerous awards and press coverage in Forbes, The Korea Times, and other outlets. Foreign Policy Magazine described me as a “creative kaiju,” and I was honored to present the film to the First Lady of South Korea and later receive a letter from President Moon Jae-In.

 

Outside of animation and film, I'm a big fan of rabbits, long-distance running, playing soccer, learning Korean, and playing electric guitar. My wife, daughter and I reside in New Jersey with our 13 pound flemish giant rabbit Dunkin.